format: سي دي
09/15/2017
Ifigenia In Tauride Mailand Li | Maria Callas
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مزيد من المعلومات
التسليم في نفس اليوم إلى يومين
التحقق من التوفّر في المتجر
لاستخدام موقعك الحالي، يُرجى تفعيل خدمات موقع المتصفح الخاص بك. بخلاف ذلك، اختر متجرًا من القائمة، أو استخدم خيار البحث.
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The music of the 18th century did not figure strongly in Callas's repertoire. The only Mozart role she sang was Konstanze. In this taut drama of a priestess called upon to sacrifice her own brother, Gluck favours unadorned vocal lines and discreet intensity of expression. As ever, Callas judges the style with apparently instinctive precision, interpreting with the utmost eloquence. At the last minute, the happy outcome of the opera is determined by Diana, the dea ex machina, sung here by a young mezzo-soprano on her way to a major career, Fiorenza Cossotto.
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مزيد من المعلومات
The music of the 18th century did not figure strongly in Callas's repertoire. The only Mozart role she sang was Konstanze. In this taut drama of a priestess called upon to sacrifice her own brother, Gluck favours unadorned vocal lines and discreet intensity of expression. As ever, Callas judges the style with apparently instinctive precision, interpreting with the utmost eloquence. At the last minute, the happy outcome of the opera is determined by Diana, the dea ex machina, sung here by a young mezzo-soprano on her way to a major career, Fiorenza Cossotto.
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